Best of 2018

Because Great Canadian Longform is a hobby, rather than a paying job, I don’t get to do all the extra things I’d like with it. That includes pulling myself away from my own writing to sit down and create this list of my favourite pieces from 2018.

I’ve come back to this list a lot over the last several months, in part because it’s not an easy task to single pieces out. There’s been at least one different piece shared on the site everyday since our launch in January 2018. That’s a lot of writing to sift through.

Using the term “great” instead of “best” Canadian longform was an intentional decision from the start. I think there are many elements, separate or combined, that make a piece great. These include the writing, the research, the subject, or experiments with format or style. With GCL I try and shine a spotlight on pieces that are great in a variety of ways.

But, I also think it’s important to single out some of the stories from 2018 that are particularly noteworthy. The following list, in alphabetical order of the author’s name, comprises 10 pieces from 2018 that are especially notable for their quality and craft.

I also think this list, if looked at as a whole, presents an interesting time capsule on Canada in 2018 and what sorts of issues were on people’s minds. Happy reading.

Rob Csernyik
May 18, 2019

GREAT CANADIAN LONGFORM’S BEST OF 2018

A Body Like a Home

Gwen Benaway, Hazlitt

 

The Unsolved Murder of an Unusual Billionaire

Matthew Campbell, Bloomberg Businessweek

 

Improbable Cause

Amy Dempsey, Toronto Star

 

Dark Matters

Alicia Elliott, Hazlitt

 

Between Two Worlds

Anais Granofsky, Toronto Life

 

Homeland

Matthew Halliday, The Deep

 

I wanted an abortion in Nova Scotia, but all around, barriers still remained

Jessica Leeder, The Globe and Mail

 

Death in the Village

Anthony Oliveira, Hazlitt

 

Inside the Toronto Star’s Bold Plan to Save Itself

Brett Popplewell, The Walrus

 

After the Fire

Jana G. Pruden, The Globe and Mail